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The Vilnius Version
On February 22, 1931, while staying in Plock, Sister Faustina received Jesus’ order to paint a picture according to the vision shown to her (cf. Diary 47). She tried to fulfill the command, but not knowing painting techniques, she was unable to do it by herself. Still, she did not give up the idea. She kept returning to it and sought help from other sisters and from her confessors. A few years later her superiors sent her to Vilnius (Wilno), where her confessor, Rev. Prof. Michael Sopocko, interested to see what the picture of a hitherto unknown theme would look like, asked the painter Eugene Kazimierowski to paint the picture according to Sister Faustina’s directions. This is the only image that was painted under her direction. Kazimirowski painted the original image between January and June of 1934. During this time St. Faustina had the artist change the face at least 10 times but was still not pleased with it. As St. Faustina writes, "Once, when I was visiting the artist who was painting the image, and saw that it was not as beautiful as Jesus is, I felt very sad about it, but I hid this deep in my heart. When we had left the artist’s house, Mother Superior [Irene] stayed in town to attend to some matters while I returned home alone. I went immediately to the chapel and wept a good deal. I said to the Lord, 'Who will paint You as beautiful as You are?' Then I heard these words: 'Not in the beauty of the color, nor of the brush lies the greatness of this image, but in My grace.' (Diary, 313)" The picture was finished in June 1934 and hung in the corridor of the Bernardine Sisters’ convent near St. Michael’s Church in Vilnius, where Father Sopocko was rector. From April 26-28, 1935, during the celebrations concluding the Jubilee Year of the Redemption of the World, the image of The Divine Mercy was transferred to the Ostra Brama [“Eastern Gate” to the city of Vilnius] and placed in a high window so that it could be seen from far away. Here the image was seen for the first time by the public. By permission of Archbishop Romuald Jalbrzykowski, on April 4, 1937, the image was blessed and placed in the St. Michael’s Church in Vilnius. In 1944, a committee of experts was formed, at the order of
Archbishop Jalbrzykowski, to evaluate the image. The experts’ opinion was
the the image of The Divine Mercy, painted by E. Kazimierowski was
artistically executed and an important contribution to contemporary
religious art. | ||||||
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The Hyla Version
In 1942, at the request of the sisters of the Congregation of Our Lady of Mercy, the
painter Stanislas Kazcor Batkowski made, in Lvov, another image which was placed on the
secondary furnace bridge in the chapel of the congregation in Warsaw, on Zytnia
street. During the invasion of Warsaw, the chapel burned along with the image.
The image by Batkowski had pleased everyone, which led the general mother of the
Congregation to order from Batkowski a second image for the house of Cracow
where the worship of the Divine Mercy had spread already. This image was made
and then moved to Cracow on October 16, 1943. | ||||||
This image is still on the secondary furnace bridge, on the left of the main entrance, in the sisters' chapel in Our Lady of Mercy in Cracow-Lagiewniki. The image by Batowski was placed in the small church of the Divine mercy in Cracow, on Smolensk street. In 1946, the first image of A. Hyla, was taken to Wroclaw per Mother Irene Krzyzanowska, where it was placed in the church of God's Heart ("Serca Bożego") to which the house of the sisters was attached. In 1954, Hyla's painting was deemed "non-liturgical" because of the background which was a country landscape. So, it was repainted with a dark background and with parquet under Jesus' feet. Since then, many Hyla variations have been painted, including the "Blue Hyla". Pope John Paul II has said that the Hyla version is his favorite. In 2002, the Basilica of Divine Mercy in Cracow-Lagiewniki was completed. The Basilica contains a Hyla-style Divine Mercy image which is very similar to the second image which Hyla painted which is located in the adjacent chapel. |